Much of Mel's work begins outdoors with her camera, hiking, in the marshes, drifting around in her kayak, photographing the moody, foggy landscapes of the coast she loves. Or at home, puttering around her gardens photographing birds and botanicals.

She paints from her c. 1800 cottage barn studio, nestled amidst gardens, wildflower meadows, and an old orchard. Crafted from ancient wood and clad in cedar, it sits beyond a weeping willow and the remnants of an old stone wall.

Working predominantly in oils, she focuses on still life, botanicals, and landscapes, often gathering inspiration for her botanical work from her own gardens. This practice forges a deep and intimate connection between her life and her art.

Mel's work is held in private collections and public spaces around the world, including the United States, Germany, Sweden, the United Kingdom, France, Italy, and Australia.